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8pre — 16 x 12 USB audio interface with 8 mic inputs

CueMix DSP™

The 8pre provides DSP-driven digital mixing and monitoring for all 16 inputs.

You can connect mics, guitars, synths and effects processors, and monitor everything from the 8pre’s main outs or headphone jack with no separate mixer needed and no latency.

8pre CueMix DSP

The 8pre supports up to four separate stereo monitor mixes assigned to any digital or analog output pairs. For example, you could set up separate monitor mixes for the main outs and headphone outs, while two additional stereo buses could be used for send/return loops to a digital mixer. Each mix can support all 16 inputs (8 XLR/TRS analog and 8 ADAT optical digital).

Bounce Back

The "CueMix Bounce Back" feature lets you route one of the four CueMix DSP mixes back to the computer. This allows you to record, for example, your entire mix - including monitored inputs - back into the computer.

8pre talkback buttons


CueMix Console provides Talkback and Listenback buttons. Talkback allows an engineer in the control room to temporarily dim all audio and talk to musicians in the live room. Conversely, Listenback allows musicians to talk to the control room. For Talkback, you can set up a dedicated mic in your control room and connect it to a mic input on your 8pre. For Listenback, you can set up a dedicated listenback mic in the live room for the musicians and connect it to another mic input.

8pre optical connectors

CueMix in optical expander mode

When the 8pre operates as an optical expander, CueMix is hard-wired to route each analog input to its corresponding optical output channel (analog in 1 to optical out 1, analog in 2 to optical out 2, and so on).

In addition, when operating the 8pre at a 1x sample rate (either 44.1 or 48 kHz), the analog input signals are duplicated and sent to both optical output banks. This lets you send the analog input signals to two separate optical destinations, if desired.

When operating the 8pre at a 2x sample rate (88.2 or 96 kHz), the two optical output banks work in concert to provide channels 1-4 and 5-8, respectively, for a total of 8 channels of high-resolution digital audio.

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